A revista Frieze, dedicada à arte contemporânea, apresenta na sua edição nº 100, um extenso dossier sobre o poder e influência da crítica, sobretudo aplicada ao contexto inglês. A ler: questionário a criadores sobre os livros de arte que os influenciaram; a discussão sobre a crítica no cinema, literatura e na música (popular e clássica). E ainda, a opinião de Robert Storr, o próximo director da Bienal de Veneza: In all that has been said in the last decades about ‘the subject’ and its contingency and about artistic ‘aura’ and its loss, it is striking to me that we so seldom learn anything about the author of such theories or their personal experiences of the world or the works they choose to analyse. At any rate, seldom do we learn it from the author him- or herself. Rather, in the age where the ‘universal’ has supposedly been deconstructed, the reader is nevertheless most often addressed in a neutral – shall we call it post-Structuralist? – though often mannered voice that implies that what is being said is categorically true without the speaker revealing much of his or her actual experience as opposed to schematically acknowledging the variable experiences of the reader. (continua...)
Nota: os artigos deixam de estar online quando sai um novo número da revista.
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